Wittgensteins Dilemma :: Philosophy Science Language Papers

Wittgenstein's Dilemma Either language can be defined or it can be investigated empirically. If language is defined then this will be mere tautology. If language is investigated empirically then this will lead to a substantial yet contingent truth. The cure for this dilemma for Wittgenstein in his Tractatus Logico-Philosophicus was to submit the doctrine that the structure of language cannot be said but only shown. This doctrine is vague and misconceived. In this essay, I will show that it is vague and misconceived and, consequently, why it does not cure his dilemma. Wittgenstein stated in the preface of his book that he had solved the problems of philosophy. That these problems had been formulated by the misuse of the logic of our language by philosophers. What philosophers had been saying could simply not be said. Their philosophy was beyond the scope of what could be said and was therefore nonsense. By plotting the limits of language, Wittgenstein expected to be able to deal with the problems of philosophy finally. Outside the limits of what can be said lies nonsense, so any theory of language must occur within these limits. Wittgenstein thought that the nature of language could tell us what can and cannot be done with it. He believed this because he deduced that language had its own limits fixed within its structure. So, in his theory of language, he revealed the structure of language to entail these limits of language which were also necessary truths. However, this meant that they would also be empty tautologies! Wittgenstein believed that language disguises thought and therefore the nature of propositions would reveal the nature of the language that represents it. So, Wittgenstein based his theory of language on the nature of propositions. Within the nature of propositions, Wittgenstein found a satisfactory account of logical necessity. This lead to the fact that the limits of language were logically necessary. In this essay, I shall give an account of Wittgenstein's theory of propositions and show that his elementary propositions are in fact divisible. I will outline his 'picture theory' and show that the consequential 'doctrine of showing' is vague and misconceived. I shall submit my own theory of the tautology as a possible cure for the above dilemma. Numbers appearing after quotes refer to the numbered passages in the Tractatus. To begin, then, some detail of Wittgenstein's theory of propositions is needed in order to see how the important 'atomic' propositions idea came about.

Why L.A. Used as Setting for Most Disaster Movies.

HENOS WOLDE Instructor: STARR GOODE English 1 Essay 3 10/29/2012 Why L. A. used as setting for most disaster movies. Through decades of disaster films, Los Angeles has been targeted by aliens, toppled by temblors, sunken by tsunamis, leveled by lava, and a rogue tornado once took out the Hollywood sign. Even though in real life los angels is not such a disastrous it nonetheless faces constant destruction in movies, on television, and in books; in the collective imagination, the city burns and burns.Los angels is used as a setting for most disastrous movies because the city is home to Hollywood and the movie business, so the artists who write about, direct and execute mass destruction in Los Angeles are often intimately familiar with the territory and find it convenient to destroy los angels in their films. Los Angeles is a popular disaster movie locale because it is home of the entertainment capital of the world Hollywood, its famous landmarks, and its geography. Los Angeles is home to the entertainment capital of the world Hollywood, which explains why L. A. is often used as a setting for most disaster movies.To destroy a big city in movies takes a lot of time and work. It would make it even harder to travel far away to shoot these movies. To make the destruction look realistic, Hollywood movie makers have to work extra hard and film non stop making sure they get every little detail right. It would make it very challenging to film these movies far away from the studio. For these reason Hollywood apparently wants to destroy all of Los Angeles. For example, the city is going down in flames in DEMOLITION MAN, turned into an island in ESCAPE FROM L. A. , and obliterated in THE BIG ONE: THE GREAT LOS ANGELES EARTHQUAKE.Perhaps Hollywood has no particular malice toward Los Angeles but simply destroys it cinematically because â€Å"it’s there,† at hand, nearby, easy to drive to and blow up, burn down, and shake apart while the cameras roll. With these d isaster movies Hollywood has perfected the cinema of conspicuous destruction, certainly a defining aspect of American movie technology. Los Angeles is also a city filled with internationally recognized landmarks. The Hollywood sign, the Capitol Records building, City Hall and the skyscrapers of down town makes the movies convenient for cinematic shorthand.Almost everybody recognizes these landmarks and when they see it being destroyed in movies, it allows the scale of the disaster to strike the audience greatly. By far, L. A. ‘s biggest cinematic target is the famous nine-letter landmark perched in the Hollywood hills. When people see the Hollywood sign being destroyed by natural disaster or alien attack, the idea behind it is to exaggerates the power of the destruction and to shock viewers with a realistic image of these familiar monument’s falling apart. Apart from its landmarks, L. A. s a popular disaster-movie locale because of its geography. Sitting in a seismic zo ne on the western edge of the continent, it is surrounded by beaches, mountains and deserts. In real life, the city is subject to floods, fires, earthquakes and big waves, so seeing freeways collapse or Santa Monica swallowed up by the sea isn't such a stretch. Hollywood takes great advantage of these landmarks to destroy Los Angeles. Some People also love watching Los Angeles get destroyed because they believe It's nice to mess up the great weather and see it being destroyed by natural disasters.But regardless of the on screen devastation, Fire, earthquakes, floods, volcanos, and a few alien invasions have destroyed the City of Los Angeles. Even though 1000's of disastrous movies have been made in the City, these movies have made the City a Famous landmark. Ultimately, heaving destruction on Los Angeles also shows Hollywood's sense of humor and optimism. It's an odd kind of Western optimism where Los Angeles always seems to start over again, like a phoenix rising from its own destr uction.Los angeles also makes it easier for Hollywood actors to destroy it because of its geography and world wide recognized landmarks. L. A. is good at playing itself in film. It's a familiar face and it is always expected to get blown up and somehow miraculously reappear in the next summer blockbuster. Interestingly, there are always a few survivors in these films, along with a message of hope. Even thought Los Angeles is used as a setting of disaster in most of its movies, there's always hope for change and resurrection as well.

Privacy Violations And Ethical Issues - 1119 Words

Google is an internet powerhouse, it’s a company known globally. Their search engine services are used worldwide was well as their other services such as Gmail. This case presented all the privacy violations and ethical issues that Google has violated dating back to early 2000s. The ethical issues presented in this case include violation of user’s personal information, unauthorized use of copyrighted material, unauthorized info obtained from other countries and issues with global free speech. Google developed Google.cn for Chinese users censored some of the information to them based on the say so from the Chinese government. This goes directly against their â€Å"Don t be evil† motto. The meaning of this motto or slogan is to showcase†¦show more content†¦Big emphasis on the word everyone. Everyone does not exclude those in China. Google should have stayed true to this philosophy and granted the Chinese users entire access to searches for words s uch as democracy, â€Å"spineless, hypocritical and cowards† (Stanwick Stanwick, 2016, p.337). According to co-founder Sergey Brin, the issue of the censorship is open to interpretation of even being considered evil. 2. Why do you think Google was adamant about not wanting to supply information requested by the government concerning the Child Online Protection Act? Explain position. The request was going to aid the Department of Justice (DOJ) defend the Child Online Protection Act of 1998, which was going to protect minors from being exposed to sexual content on the Internet. The amounts of data changed twice from 1,000,000 web searches to 50,000 web addresses plus 5,000 searches (Stanwick Stanwick, 2016, p.339). The data from Google was to determine how effective the current, more up to date, filtering software was in excluding explicit websites. Google claimed the request would imply they were revealing information about users, which was unacceptable for them. Was it not unacceptable that minors had access to sexual content they shouldn’t have access to? For Google the request was vague, a burden and a form of harassment from the government. As well as tooShow MoreRelatedAdministrative Ethics1083 Words   |  5 PagesSorensen HCS/335 August 19, 2012 Christine Singel Administrative Ethics Patient privacy is the responsibility of the medical organization that treats the patient. Patients have the right to have their medical issues kept private from people that do not need to know the information. The federal government has created the HIPPA policy to help medical organizations understand and follow rules to protect the privacy of the patients that come to the organization. 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